JANICE'S BLUES ALLEY PRESENTS
DAVID BOWIE
|
|
|
The cliché about David Bowie goes that he was a musical chameleon, adapting himself according to fashion and trends. While such a criticism is too glib, there's no denying that Bowie demonstrated a remarkable skill for perceiving musical trends at his peak in the '70s. After spending several years in the late '60s as a mod and as an all-around music hall entertainer, Bowie reinvented himself as a hippie singer/songwriter. Prior to his breakthrough in 1972, he recorded a proto-metal record and a pop/rock album, eventually redefining glam rock with his ambiguously sexy Ziggy Stardust persona. Ziggy made Bowie an international star, yet he wasn't content to continue to churn out glitter rock. By the mid-'70s, he'd developed an effete, sophisticated version of Philly soul that he dubbed "plastic soul," which eventually morphed into the eerie avant pop of 1976's Station to Station. Shortly afterward, he relocated to Berlin, where he recorded three experimental electronic albums with Brian Eno. At the dawn of the '80s, Bowie was still at the height of his powers, yet following his blockbuster dance-pop album Let's Dance in 1983, he slowly sank into mediocrity before salvaging his career in the early '90s. Even when he was out of fashion in the '80s and '90s, it was clear that Bowie was one of the most influential musicians in rock, for better and for worse. Each one of his phases in the '70s sparked a number of subgenres, including punk, new wave, goth rock, the new romantics, and electronica. Few rockers have ever had such lasting impact.
David Jones began performing music when he was 13 years old, learning the saxophone while he was at Bromley Technical High School; another pivotal event happened at the school, when his left pupil became permanently dilated in a schoolyard fight. Following his graduation at 16, he worked as a commercial artist while playing saxophone in a number of mod bands, including the King Bees, the Manish Boys (which also featured Jimmy Page as a session man), and Davey Jones & the Lower Third. All three of those bands released singles, which were generally ignored, yet he continued performing, changing his name to David Bowie in 1966 after the Monkees' Davy Jones became an international star. Over the course of 1966, he released three mod singles on Pye Records, which were all ignored. The following year, he signed with Deram, releasing the music hall, Anthony Newley-styled David Bowie that year. Upon completing the record, he spent several weeks in a Scottish Buddhist monastery. Once he left the monastery, he studied with Lindsay Kemp's mime troupe, forming his own mime company, the Feathers, in 1969. The Feathers were short-lived, and he formed the experimental art group Beckenham Arts Lab in 1969. Bowie needed to finance the Arts Lab, so he signed with Mercury Records that year and released Man of Words, Man of Music, a trippy singer/songwriter album featuring "Space Oddity." The song was released as a single and became a major hit in the U.K., convincing Bowie to concentrate on music. Hooking up with his old friend Marc Bolan, he began miming at some of Bolan's T. Rex concerts, eventually touring with Bolan, bassist/producer Tony Visconti, guitarist Mick Ronson, and drummer Cambridge as Hype. The band quickly fell apart, yet Bowie and Ronson remained close, working on the material that formed Bowie's next album, The Man Who Sold the World, as well as recruiting Michael "Woody" Woodmansey as their drummer. Produced by Tony Visconti, who also played bass, The Man Who Sold the World was a heavy guitar rock album that failed to gain much attention. Bowie followed the album in late 1971 with the pop/rock Hunky Dory, an album that featured Ronson and keyboardist Rick Wakeman. Following its release, Bowie began to develop his most famous incarnation, Ziggy Stardust: an androgynous, bisexual rock star from another planet. Before he unveiled Ziggy, Bowie claimed in a January 1972 interview with Melody Maker that he was gay, helping to stir interest in his forthcoming album. Taking cues from Bolan's stylish glam rock, Bowie dyed his hair orange and began wearing women's clothing. He called himself Ziggy Stardust, and his backing band -- Ronson, Woodmansey, and bassist Trevor Bolder -- were the Spiders from Mars. The Rise and Fall of Ziggy Stardust and the Spiders from Mars was released with much fanfare in England in late 1972. The album and its lavish, theatrical concerts became a sensation throughout England, and helped him become the only glam rocker to carve out a niche in America. Ziggy Stardust became a word-of-mouth hit in the U.S., and the re-released "Space Oddity" -- which was now also the title of the re-released Man of Words, Man of Music -- reached the American Top 20. Bowie quickly followed Ziggy with Aladdin Sane later in 1973. Not only did he record a new album that year, but he also produced Lou Reed's Transformer, the Stooges' Raw Power, and Mott the Hoople's comeback All the Young Dudes, for which he also wrote the title track. Given the amount of work Bowie packed into 1972 and 1973, it wasn't surprising that his relentless schedule began to catch up with him. After recording the all-covers Pin-Ups with the Spiders from Mars, he unexpectedly announced the band's breakup, as well as his retirement from live performances, during the group's final show that year. He retreated from the spotlight to work on a musical adaptation of George Orwell's 1984, but once he was denied the rights to the novel, he transformed the work into Diamond Dogs. The album was released to generally poor reviews in 1974, yet it generated the hit single "Rebel Rebel," and he supported the album with an elaborate and expensive American tour. As the tour progressed, Bowie became fascinated with soul music, eventually redesigning the entire show to reflect his new "plastic soul." Hiring guitarist Carlos Alomar as the band's leader, Bowie refashioned his group into a Philly soul band and recostumed himself in sophisticated, stylish fashions. The change took fans by surprise, as did the double-album David Live, which featured material recorded on the 1974 tour. Young Americans, released in 1975, was the culmination of Bowie's soul obsession, and it became his first major crossover hit, peaking in the American Top Ten and generating his first U.S. number one hit in "Fame," a song he co-wrote with John Lennon and Alomar. Bowie relocated to Los Angeles, where he earned his first movie role in Nicolas Roeg's The Man Who Fell to Earth (1976). While in L.A., he recorded Station to Station, which took the plastic soul of Young Americans into darker, avant-garde-tinged directions yet was also a huge hit, generating the Top Ten single "Golden Years." The album inaugurated Bowie's persona of the elegant "Thin White Duke," and it reflected Bowie's growing cocaine-fueled paranoia. Soon, he decided Los Angeles was too boring and returned to England; shortly after arriving back in London, he gave the awaiting crowd a Nazi salute, a signal of his growing, drug-addled detachment from reality. The incident caused enormous controversy, and Bowie left the country to settle in Berlin, where he lived and worked with Brian Eno. Once in Berlin, Bowie sobered up and began painting, as well as studying art. He also developed a fascination with German electronic music, which Eno helped him fulfill on their first album together, Low. Released early in 1977, Low was a startling mixture of electronics, pop, and avant-garde technique. While it was greeted with mixed reviews at the time, it proved to be one of the most influential albums of the late '70s, as did its follow-up, Heroes, which followed that year. Not only did Bowie record two solo albums in 1977, but he also helmed Iggy Pop's comeback records The Idiot and Lust for Life, and toured anonymously as Pop's keyboardist. He resumed his acting career in 1977, appearing in Just a Gigolo with Marlene Dietrich and Kim Novak, as well as narrating Eugene Ormandy's version of Peter and the Wolf. Bowie returned to the stage in 1978, launching an international tour that was captured on the double-album Stage. In 1979, Bowie and Eno recorded Lodger in New York, Switzerland, and Berlin, releasing the album at the end of the year. Lodger was supported with several innovative videos, as was 1980's Scary Monsters, and these videos -- "DJ," "Fashion," "Ashes to Ashes" -- became staples on early MTV. Scary Monsters was Bowie's last album for RCA, and it wrapped up his most innovative, productive period. Later in 1980, he performed the title role in the stage production of The Elephant Man, including several shows on Broadway. Over the next two years, he took an extended break from recording, appearing in Christiane F (1981) and the vampire movie The Hunger (1982), returning to the studio only for his 1981 collaboration with Queen, "Under Pressure," and the theme for Paul Schrader's remake of Cat People. In 1983, he signed an expensive contract with EMI Records and released Let's Dance. Bowie had recruited Chic guitarist Nile Rodgers to produce the album, giving the record a sleek, funky foundation, and hired the unknown Stevie Ray Vaughan as lead guitarist. Let's Dance became his most successful record, thanks to its stylish, innovative videos for "Let's Dance" and "China Girl," which turned both songs into Top Ten hits. Bowie supported the record with the sold-out arena tour Serious Moonlight. Greeted with massive success for the first time, Bowie wasn't quite sure how to react, and he eventually decided to replicate Let's Dance with 1984's Tonight. While the album sold well, producing the Top Ten hit "Blue Jean," it received poor reviews and was ultimately a commercial disappointment. He stalled in 1985, recording a duet of Martha & the Vandellas' "Dancing in the Street" with Mick Jagger for Live Aid. He also spent more time jet-setting, appearing at celebrity events across the globe, and appeared in several movies -- Into the Night (1985), Absolute Beginners (1986), Labyrinth (1986) -- that turned out to be bombs. Bowie returned to recording in 1987 with the widely panned Never Let Me Down, supporting the album with the Glass Spider tour, which also received poor reviews. In 1989, he remastered his RCA catalog with Rykodisc for CD release, kicking off the series with the three-disc box Sound + Vision. Bowie supported the discs with an accompanying tour of the same name, claiming that he was retiring all of his older characters from performance following the tour. Sound + Vision was successful, and Ziggy Stardust re-charted amidst the hoopla. Sound + Vision may have been a success, but Bowie's next project was perhaps his most unsuccessful. Picking up on the abrasive, dissonant rock of Sonic Youth and the Pixies, Bowie formed his own guitar rock combo, Tin Machine, with guitarist Reeves Gabrels, bassist Hunt Sales, and Hunt's brother, drummer Tony, who had previously worked on Iggy Pop's Lust for Life with Bowie. Tin Machine released an eponymous album to poor reviews that summer and supported it with a club tour, which was only moderately successful. Despite the poor reviews, Tin Machine released a second album, the appropriately titled Tin Machine II, in 1991, and it was completely ignored. Bowie returned to a solo career in 1993 with the sophisticated, soulful Black Tie White Noise, recording the album with Nile Rodgers and his by-then-permanent collaborator, Reeves Gabrels. The album was released on Savage, a subsidiary of RCA, and received positive reviews, but his new label went bankrupt shortly after its release, and the album disappeared. Black Tie White Noise was the first indication that Bowie was trying hard to resuscitate his career, as was the largely instrumental 1994 soundtrack The Buddha of Suburbia. In 1995, he reunited with Brian Eno for the wildly hyped, industrial rock-tinged Outside. Several critics hailed the album as a comeback, and Bowie supported it with a co-headlining tour with Nine Inch Nails in order to snag a younger, alternative audience, but his gambit failed; audiences left before Bowie's performance and Outside disappeared. He quickly returned to the studio in 1996, recording Earthling, an album heavily influenced by techno and drum'n'bass. Upon its early-1997 release, Earthling received generally positive reviews, yet the album failed to gain an audience, and many techno purists criticized Bowie for allegedly exploiting their subculture. hours... followed in 1999. In 2002, Bowie reunited with producer Toni Visconti and released Heathen to very positive reviews. He continued on with Visconti for Reality in 2003, which was once again warmly received. Bowie supported Reality with a lengthy tour but it came to a halt in the summer of 2004 when he received an emergency angioplasty while in Hamburg, Germany. Following this health scare, Bowie quietly retreated from the public eye. Over the next few years, he popped up at the occasional charity concert or gala event and he sometimes sang in the studio for other artists (notably he appeared on Scarlett Johansson's Tom Waits tribute Anywhere I Lay My Head in 2008). Archival releases appeared but no new recordings did until he suddenly ended his unofficial retirement on his 66th birthday on January 8, 2013, releasing a new single called "Where Are We Now?" and announcing the arrival of a new album. Entitled The Next Day and once again produced by Visconti, the album was released in March of 2013. Greeted with generally positive reviews, The Next Day debuted at either number one or two throughout the world, earning gold certifications in many countries. The following year, Bowie released a new compilation called Nothing Has Changed, which featured the new song "Sue (Or in a Season of Crime)." This song turned out to be the cornerstone of Bowie's next project, Blackstar. Arriving on January 8, 2016, the album found Bowie re-teaming with Tony Visconti and exploring adventurous territory, as signaled by its lead single, "Blackstar." Just two days after its release, it was announced that David Bowie had died from liver cancer. In a Facebook post, Tony Visconti revealed that Bowie knew of his illness for at least 18 months and created Blackstar as "his parting gift" for us. -- Stephen Thomas Erlewine, All Music Guide |
|
|
1967 David Bowie |
01. Uncle Arthur 02. Sell Me a Coat 03. Rubber Band 04. Love You till Tuesday 05. There Is a Happy Land 06. We Are Hungry Men 07. When I Live My Dream |
08. Little Bombardier 09. Silly Boy Blue 10. Come and Buy My Toys 11. Join the Gang 12. She's Got Medals 13. Maid of Bond Street 14. Please Mr. Gravedigger |
1969 Space Oddity |
01. Space Oddity 02. Unwashed And Somewhat Slightly Dazed 03. Letter To Hermione 04. Cygnet Committee 05. Janine |
06. An Occasional Dream 07. Wild Eyed Boy From Freecloud 08. God Knows I'm Good 09. Memory Of A Free Festival |
1969 Man of Words/Man of Music |
01. Space Oddity 02. Unwashed and Somewhat Slightly Dazed 03. Don't Sit Down 04. Letter to Hermione 05. Cygnet Committee |
06. Janine 07. An Occasional Dream 08. The Wild Eyed Boy from Freecloud 09. God Knows I'm Good 10. Memory of a Free Festival |
 |
1970 The Man Who Sold The World |
01. The Width Of A Circle 02. All The Madmen 03. Black Country Rock 04. After All 05. Running Gun Blues |
06. Saviour Machine 07. She Shook Me Cold 08. The Man Who Sold The World 09. The Supermen |
1971 Hunky Dory |
01. Changes 02. Oh! You Pretty Things 03. Eight Line Poem 04. Life On Mars? 05. Kooks 06. Quicksand |
07. Fill Your Heart 08. Andy Warhol 09. Song For Bob Dylan 10. Queen Bitch 11. The Bewlay Brothers |
1972 The Rise and Fall of Ziggy Stardust and the Spiders from Mars |
01. Five Years 02. Soul Love 03. Moonage Daydream 04. Starman 05. It Ain't Easy 06. Lady Stardust |
07. Star 08. Hang On to Yourself 09. Ziggy Stardust 10. Suffragette City 11. Rock 'n' Roll Suicide |
|
1973 Aladdin Sane |
01. Watch That Man 02. Aladdin Sane 03. Drive-In Saturday 04. Panic in Detroit 05. Cracked Actor |
06. Time 07. The Prettiest Star 08. Let's Spend the Night Together 09. The Jean Genie 10. Lady Grinning Soul |
1973 Pin Ups |
01. Rosalyn 02. Here Comes The Night 03. I Wish You Would 04. See Emily Play 05. Everything's Alright 06. I Can't Explain |
07. Friday On My Mind 08. Sorrow 09. Don't Bring Me Down 10. Shapes Of Things 11. Anyway, Anyhow, Anywhere? 12. Where Have All The Good Times Gone |
1974 Diamond Dogs |
01. Future Legend 02. Diamond Dogs 03. Sweet Thing 04. Candidate 05. Sweet Thing (Reprise) 06. Rebel Rebel |
07. Rock 'n' Roll with Me 08. We Are the Dead 09. 1984 10. Big Brother 11. Chant of the Ever Circling Skeletal Family |
|
1974 David Live |
01. Knock On Wood 02. Here Today, Gone Tomorrow 03. Space Oddity 04. Diamond Dogs 05. Panic In Detroit |
06. Big Brother 07. Time 08. The Width Of A Circle 09. Jean Genie 10. Rock 'n' Roll Suicide |
1975 Young Americans |
1. Young Americans 2. Win 3. Fascination 4. Right |
5. Somebody Up There Likes Me 6. Across the Universe 7. Can You Hear Me? 8. Fame |
1976 Station to Station |
1. Station to Station 2. Golden Years 3. Word on a Wing |
4. TVC 15 5. Stay 6. Wild Is the Wind |
|
1977 Low |
01. Speed of Life 02. Breaking Glass 03. What in the World 04. Sound and Vision 05. Always Crashing in the Same Car 06. Be My Wife |
07. New Career in a New Town 08. Warszawa 09. Art Decade 10. Weeping Wall 11. Subterraneans |
1977 Heroes |
01. Beauty and the Beast 02. Joe the Lion 03. Heroes 04. Sons of the Silent Age 05. Blackout |
06. V-2 Schneider 07. Sense of Doubt 08. Moss Garden 09. Neuköln 10. The Secret Life of Arabia |
1978 David Bowie Narrates Prokofiev's Peter and the Wolf |
01. Peter and the Wolf, Op. 67/Introduction 02. Peter and the Wolf, Op. 67/The Story Begins 03. Peter and the Wolf, Op. 67/The Bird 04. Peter and the Wolf, Op. 67/The Duck, Dialogue w/Bird, Attack of the Cat 05. Peter and the Wolf, Op. 67/Grandfather 06. Peter and the Wolf, Op. 67/The Wolf 07. Peter and the Wolf, Op. 67/The Duck is Caught 08. Peter and the Wolf, Op. 67/The Wolf Stalks the Bird and the Cat 09. Peter and the Wolf, Op. 67/Peter Prepares to Catch the Wolf 10. Peter and the Wolf, Op. 67/The Bird 11. Peter and the Wolf, Op. 67/Peter Catches the Wolf 12. Peter and the Wolf, Op. 67/The Hunters Arrive 13. Peter and the Wolf, Op. 67/The Procession to the Zoo 14. The Young Person's Guide to the Orchestra/Theme: Full Orchestra 15. The Young Person's Guide to the Orchestra/Theme: Woodwinds 16. The Young Person's Guide to the Orchestra/Theme: Brass 17. The Young Person's Guide to the Orchestra/Theme: Strings 18. The Young Person's Guide to the Orchestra/Theme: Percussion 19. The Young Person's Guide to the Orchestra/Theme: Full Orchestra 20. The Young Person's Guide to the Orchestra/Var.I: Flute, Piccolo (Presto) 21. The Young Person's Guide to the Orchestra/Var.II: Oboes (Lento) |
22. The Young Person's Guide to the Orchestra/Var.III: Clarinets (Moderato) 23. The Young Person's Guide to the Orchestra/Var.IV: Bassoons (Allegro alla marcia) 24. The Young Person's Guide to the Orchestra/Var.V: Violins (Brilliante alla pollaca) 25. The Young Person's Guide to the Orchestra/Var.VI: Violas (Meno mosso) 26. The Young Person's Guide to the Orchestra/Var.VII: Cellos 27. The Young Person's Guide To The Orchestra/Var.VIII: Doublebasses (Comminciando Lento, Ma Poco Accel.) 28. The Young Person's Guide to the Orchestra/Var.IX: Harp (Maestoso) 29. The Young Person's Guide to the Orchestra/Var.X: French Horns (Il stesso tempo) 30. The Young Person's Guide to the Orchestra/Var.XI: Trumpets (Vivace) 31. The Young Person's Guide to the Orchestra/Var.XII: Trombones & Tuba (Allegro pomposo) 32. The Young Person's Guide To The Orchestra/Var.XIII: Percussion (Moderato) 33. The Young Person's Guide to the Orchestra/Fugue: Full Orchestra (Allegro molto) 34. The Nutcracker Suite/Overture 35. The Nutcracker Suite/March 36. The Nutcracker Suite/Dance of the Sugar Plum Fairies 37. The Nutcracker Suite/Russian Dance 38. The Nutcracker Suite/Arab Dance 39. The Nutcracker Suite/Chinese Dance 40. The Nutcracker Suite/Dance of the Merlitons 41. The Nutcracker Suite/Waltz of the Flowers |
|
1978 Stage |
Disc 1 01. Warszawa (Live) 02. 'Heroes' (Live) 03. What In The World (Live) 04. Be My Wife (Live) 05. Black Out (Live) 06. Sense Of Doubt (Live) 07. Speed Of Life (Live) 08. Breaking Glass (Live) 09. Beauty And The Beast (Live) 10. Fame (Live) |
Disc 2 01. Five Years (Live) 02. Soul Love (Live) 03. Star (Live) 04. Hang On To Yourself (Live) 05. Ziggy Stardust (Live) 06. Art Decade (Live) 07. Alabama Song (Aufstieg Und Fall Der Stadt Mahagonny) (Live) 08. Station To Station (Live) 09. Stay (Live) 10. TVC 15 (Live) |
1978 An Evening with David Bowie |
01. Open 02. Introduction 03. Out Cue 04. Break 05. Segment 1 06. Ziggy Stardust / Out Cue 07. Segment 2 |
08. Station To Station / Out Cue 09. Segment 3 10 Open 11. Beauty And The Beast 12. Fame / Out Cue / Break 13. Segment 4 14. Out Cue |
1979 Lodger |
01. Fantastic Voyage 02. African Night Flight 03. Move On 04. Yassassin (Turkish For: Long Life) 05. Red Sails |
06. DJ 07. Look Back In Anger 08. Boys Keep Swinging 09. Repetition 10. Red Money |
|
1980 Scary Monsters |
01. It's No Game (Part 1) 02. Up The Hill Backwards 03. Scary Monsters (And Super Creeps) 04. Ashes To Ashes 05. Fashion |
06. Teenage Wildlife 07. Scream Like A Baby 08. Kingdom Come 09. Because You're Young 10. It's No Game (Part 2) |
1982 Christiane F. Wir Kinder |
01. V-2 Schneider 02. TVC 15 03. Heroes/Helden 04. Boys Keep Swinging 05. Sense of Doubt |
06. Station to Station (Live) 07. Look Back In Anger 08. Stay 09. Warszawa |
1982 Ziggy Stardust and the Spiders From Mars [The Motion Picture Soundtrack] |
01. Hang on to yourself 02. Ziggy Stardust 03. Watch that man 04. Medley: Wild eyed boy from Freecloud/All the young dudes/Oh you pretty things 05. Moonage Daydream 06. Changes 07. Space Oddity 08. My death |
09. Crack'd Actor 10. Time 11. Width of a circle 12. Let's spend the night together 13. Suffragette City 14. White light/white heat 15. Rock & Roll Suicide |
|
1983 Let's Dance |
01. Modern Love 02. China Girl 03. Let's Dance 04. Without You |
05. Ricochet 06. Criminal World 07. Cat People (Putting Out Fire) 08. Shake It |
1984 Tonight |
01. Loving The Alien 02. Don't Look Down 03. God Only Knows 04. Tonight (with Tina Turner) 05. Neighborhood Threat |
06. Blue Jean 07. Tumble And Twirl 08. I Keep Forgettin' 09. Dancing With The Big Boys |
1987 Never Let Me Down |
01. Day-In Day-Out 02. Time Will Crawl 03. Beat of Your Drum 04. Never Let Me Down 05. Zeroes 06. Glass Spider |
07. Shining Star (Makin' My Love) 08. New York's in Love 09. '87 and Cry 10. Too Dizzy 11. Bang Bang |
|
1993 Black Tie White Noise |
01. The Wedding 02. You've Been Around 03. I Feel Free 04. Black Tie White Noise 05. Jump They Say 06. Nite Flights 07. Pallas Athena |
08. Miracle Goodnight 09. Don't Let Me Down And Down 10. Looking For Lester 11. I Know It's Gonna Happen Someday 12. The Wedding Song 13. Jump They Say (Alternate Mix) 14. Lucky Can't Dance |
1995 Outside |
01. Leon Takes Us Outside -- Leon Blank 02. Outside Prologue 03. The Hearts Filthy Lesson -- Detective Nathan Adler 04. A Small Plot of Land The residents of Oxford Town, New Jersey 05. (Segue) -- Baby Grace (A Horrid Cassette) Baby Grace Blue 06. Hallo Spaceboy -- Paddy 07. The Motel -- Leon Blank 08. I Have Not Been to Oxford Town -- Leon Blank 09. No Control -- Detective Nathan Adler 10. (Segue) -- Algeria Touchshriek Algeria Touchshriek |
11. The Voyeur of Utter Destruction (as Beauty) The Artist/Minotaur 12. (Segue) -- Ramona A. Stone/I Am with Name Ramona A. Stone and her acolytes 13. Wishful Beginnings The Artist/Minotaur 14. We Prick You Members of the Court of Justice 15. (Segue) -- Nathan Adler /Detective Nathan Adler 16. I'm Deranged The Artist/Minotaur 17. Thru' These Architects' Eyes - Leon Blank 18. (Segue)-- Nathan Adler 19. Strangers When We Meet - Leon Blank |
1995 The Buddha of Suburbia |
01. Buddha Of Suburbia 02. Sex And The Church 03. South Horizon 04. The Mysteries 05. Bleed Like A Craze, Dad |
06. Strangers When We Meet 07. Dead Against It 08. Untitled No. 1 09. Ian Fish UK Heir 10. Buddha Of Suburbia (feat. Lenny Kravitz On Guitar) |
|
1997 Earthling |
01. Little Wonder 02. Looking For Satellites 03. Battle For Britain (The Letter) 04. Seven Years In Tibet 05. Dead Man Walking |
06. Telling Lies 07. The Last Thing You Should Do 08. I'm Afraid Of Americans 09. Law (Earthling On Fire) 10. Telling Lies |
1999 Hours |
01. Thursday's Child 02. Something in the Air 03. Survive 04. If I'm Dreaming My Life 05. Seven |
06. What's Really Happening? 07. The Pretty Things Are Going to Hell 08. New Angels of Promise 09. Brilliant Adventure 10. The Dreamers |
2002 Heathen |
01. Sunday 02. Cactus 03. Slip Away 04. Slow Burn 05. Afraid 06. I've Been Waiting for You |
07. I Would Be Your Slave 08. I Took a Trip on a Gemini Spaceship 09. 5.15 the Angels Have Gone 10. Everyone Says "Hi" 11. A Better Future 12. Heathen (The Rays) |
|
2003 Reality |
01. New Killer Star 02. Pablo Picasso 03. Never Get Old 04. The Loneliest Guy 05. Looking for Water 06. She'll Drive the Big Car |
07. Days 08. Fall Dog Bombs the Moon 09. Try Some, Buy Some 10. Reality 11. Bring Me the Disco King |
2004 A Reality Tour |
Disc: 1 01. Rebel, Rebel 02. New Killer Star 03. Reality 04. Fame 05. Cactus 06. Sister Midnight 07. Afraid 08. All The Young Dudes 09. Be My Wife 10. The Loneliest Guy 11. The Man Who Sold The World 12. Fantastic Voyage 13. Hallo Spaceboy 14. Sunday 15. Under Pressure 16. Life On Mars 17. Battle For Britain (The Letter) |
Disc: 2 01. Ashes To Ashes 02. The Motel 03. Loving The Alien 04. Never Get Old 05. Changes 06. I'm Afraid Of Americans 07. Heroes 08. Bring Me The Disco King 09. Slip Away 10. Heaven (The Rays) 11. Five Years 12. Hang On To Yourself 13. Ziggy Stardust 14. Fall Dog Bombs The Moon 15. Breaking Glass 16. China Girl |
2008 Glass Spider Live |
01. Intro/Up the Hill Backwards/Glass Spider 02. Day-In Day-Out 03. Bang Bang 04. Absolute Beginners 05. Loving the Alien 06. China Girl 07. Rebel Rebel 08. Fashion 09. Never Let Me Down 10. Heroes |
11. Sons of the Silent Age 12. Young Americans/Band Introduction 13. The Jean Genie 14. Let's Dance 15. Time 16. Fame 17. Blue Jean 18. I Wanna Be Your Dog 19. White Light, White Heat 20. Modern Love |
|
2009 VH1 Storytellers |
01. Life on Mars? 02. Rebel Rebel 03. Thursday's Child 04. Can't Help Thinking About Me |
05. China Girl 06. Seven 07. Drive-In Saturday 08. Word on a Wing |
2013 The Next Day |
01. The Next Day 02. Dirty Boys 03. The Stars (Are Out Tonight) 04. Love Is Lost 05. Where Are We Now? 06. Valentine's Day 07. If You Can See Me |
08. I'd Rather Be High 09. Boss of Me 10. Dancing Out in Space 11. How Does the Grass Grow? 12. (You Will) Set the World On Fire 13. You Feel So Lonely You Could Die 14. Heat |
2016 Blackstar |
01. Blackstar 02. 'Tis a Pity She Was a Whore 03. Lazarus 04. Sue (Or in a Season of Crime) |
05. Girl Loves Me 06. Dollar Days 07. I Can't Give Everything Away |
|
|
 |
